Even upon my death, I know I will stir anew
Though momentarily destroyed, my presence will not dissolve
Seemingly gone, I perpetually continue
Reborn again and again, each time with greater resolve
If I die, I know I shall awake
Unaffected and indifferent
With no fear of mortality
I am the resurrectionist
Upon death, I will always reanimate
In my form lies untold powers
With no fear of mortality
I am the resurrectionist
With my collective knowledge I become
Stronger and smarter, with every obstruction
Against all obstacles I will overcome
Return from nothing witness my reconstruction
Steadfast I arise enraged
Through all trials I am unchanged
Emerging from my corpse vacant
A true blessing to be reawakened
If I die, I know I shall awake
Unaffected and indifferent
With no fear of mortality
I am the resurrectionist
Upon death, I will always reanimate
In my form lies untold powers
With no fear of mortality
I am the resurrectionist
I am the resurrectionist
If I die, I know I shall awake
Unaffected and indifferent
With no fear of mortality
I am the resurrectionist
Upon death, I will always reanimate
In my form lies untold powers
With no fear of mortality
I am the resurrectionist
supported by 24 fans who also own “Intervoid - The Resurrectionist”
A relentless, inextinguishable tsunami of brutality!! Plus, i absolutely love those vocals!!! And also the fact that the production isn't overly compressed makes for a rather enjoyable listening. The only flaw I see here is that the vocals, although they are an absolute pleasure, are way too prominent in the mix. Basically, I can't hear the guitarwork whenever the vocalist is on. Snyjxr
supported by 24 fans who also own “Intervoid - The Resurrectionist”
Symphonic stuff in metal doesn’t make its way into my collection aside from a couple of early Cradle albums. The orch here though just ads to how huge this band sounds. It makes elements in the songs more immersive. There are plenty of breaks from orchestration where its in deathcore/slamming brutality mode. While not ignorant, the songs never play with time or get mathy making it accessible and memorable. Came out 2015? Impressed. Mitch Mitcherson